{"id":11249,"date":"2011-07-27T15:25:29","date_gmt":"2011-07-27T20:25:29","guid":{"rendered":"https:\/\/thevwindependent.com\/?p=11249"},"modified":"2011-07-27T15:25:29","modified_gmt":"2011-07-27T20:25:29","slug":"all-in-the-house-that-wassenberg-built","status":"publish","type":"post","link":"https:\/\/thevwindependent.com\/news\/2011\/07\/27\/all-in-the-house-that-wassenberg-built\/","title":{"rendered":"All in the House that Wassenberg Built!"},"content":{"rendered":"<p><strong>By Hope Wallace<\/strong><\/p>\n<figure id=\"attachment_11250\" aria-describedby=\"caption-attachment-11250\" style=\"width: 350px\" class=\"wp-caption alignleft\"><img fetchpriority=\"high\" decoding=\"async\" class=\"size-full wp-image-11250 \" style=\"border: black 1px solid\" src=\"https:\/\/www.thevwindependent.com\/news\/wp-content\/uploads\/2011\/07\/Catmask.jpg\" alt=\"\" width=\"350\" height=\"388\" \/><figcaption id=\"caption-attachment-11250\" class=\"wp-caption-text\">Young people from the Westwood Behavioral Health Center will learn to create masks from papier<\/figcaption><\/figure>\n<p>I am not sure where to begin this week\u2019s column. There is much going on at the Wassenberg Art Center in the next week and beyond. So\u2026from the top!<br \/>\nOur \u201cOut of the Woodwork\u201d exhibit continues until August 12, so if you haven\u2019t had a chance to stop in, I encourage you to see the vast array of works on display. Thank you to our weekend docents who keep our shows running.<\/p>\n<p>Much of this craftsmanship is simply mind-boggling. For example, two small bowls and a hollow egg made by Ray Feltz, Celina, are created with tiny 1\/8 inch and under square pieces of wood cut on a table saw. Thousands of these minute pieces of finished wood are then assembled to create a lacey mosaic of contrasting Cherry, Holly and Tulip. They are appropriated titled &#8220;28% Air #1&#8221; and &#8220;28% Air #2.&#8221;\u00a0 Nancy Jayne Smith\u2019s &#8220;Quadrafoil&#8221; basket is created out of hand-cut strips of ash with a natural and slate blue stained finish. Its almost mathematical precision makes a definitive statement and creates a natural focal point in the exhibit.<\/p>\n<p>A unique red barn complete with hand-cut shingles and swinging gates by Ron Roth, Wauseon, was made for each of Ron\u2019s sons. Jim Ballmer also of Wauseon made a pirate\u2019s chest out of repurposed barn wood.<\/p>\n<p>Stan Agler, Van Wert, submitted treasures from Africa including a detailed chess set from Nigeria. Many others\u2019 works such as Linda McCann, Michael Klutka, Marvin Woodruff, Seth Baker, Tony Beckman, Min Lindsey, Stephen Kleinhen, Carole Macklin, Rocky McVaigh, Wayne Richardson, Anita Weeder &amp; Sharon Blank, Steve Smith and others combine\u00a0for a wide-ranging exhibit illustrating the versatility of woodcraft.<\/p>\n<p>This week, young people from Westwood Behavioral Health Center will have an opportunity to create papier mach\u00e9 and mixed media masks. Masks have held an ancient tradition in the human journey and continue to be an excellent form of self-expression. This class will be offered to the public in the near future in addition to our current lineup.<\/p>\n<p>Thursday, July 28, at 7 p.m., the Wassenberg Camera Club will offer a \u201cWhatcha Think?\u201d critique of photos for anyone interested in submitting a photograph in the upcoming Van Wert County Fair. This is a great way to receive usable and clear-cut advice on technique by some of the best photographers in the area.<\/p>\n<h2>Egg tempera &#8212; a revolutionized medium<\/h2>\n<p><strong>By Kay Sluterbeck<\/strong><\/p>\n<p>\u00a0If you&#8217;ve seen work by Andrew Wyeth or Botticelli, you&#8217;ve seen what egg tempera can do.\u00a0<\/p>\n<p>Robert Vickery (who has been called the world&#8217;s most proficient craftsman in egg tempera painting) says, &#8220;Egg tempera is a simple, cheap, easy-to-use technique that produces gorgeous effects.&#8221;\u00a0 It&#8217;s extremely durable as well; many egg tempera paintings done in the 15th century are still brilliant and clear.<\/p>\n<p>But what exactly is egg tempera?\u00a0 It is a paint made by combining powdered pigments, water, and egg (usually the yolk).\u00a0 When applied to a panel or paper, this combination forms an insoluble film (think about the last time you tried to get dried egg yolk off a plate).\u00a0 Thick layers will crack and fall off, so egg tempera must be built up in thin layers.\u00a0 It dries to the touch in seconds (although it takes a year or so to dry chemically), so more paint can be applied in minutes.\u00a0<\/p>\n<p>The layering process makes egg tempera unique.\u00a0 Each coat of underpainting glows through the overpainting, resulting in a luminous appearance that can&#8217;t really be duplicated by any other medium.\u00a0<\/p>\n<p>Unfortunately, some people don&#8217;t want to try egg tempera because they associate the term with the ancient techniques used by medieval and early Renaissance painters like Botticelli, Verrocchio, and Fra Angelico.\u00a0 These artists used an extremely painstaking process that involved detailed drawings and many hours of making complicated and tedious layers of crosshatching.\u00a0 Aside from the time and patience required, this technique does not allow for corrections or second thoughts.\u00a0 If you don&#8217;t get it right the first time, the painting is ruined.<\/p>\n<p>It&#8217;s no wonder that when oil paints were developed around the 15th century, most artists quickly changed mediums.\u00a0 The change was so abrupt that it can actually be seen in one painting, Verrocchio&#8217;s &#8220;Baptism of Christ, with Two Angels.&#8221; Most of the work was done in egg tempera.\u00a0 But one of the angels, reportedly done by Verrocchio&#8217;s student Leonardo da Vinci, is painted in oil.<\/p>\n<p>Egg tempera became a lost art.\u00a0 But in 1844 a book by Cenino Cennini, a 15th-century Italian, was translated into English.\u00a0 Cennini had written a definitive explanation of how the old masters used egg tempera, and the translation created renewed interest in the medium.\u00a0 However, many of the artists who tried it gave up on it after struggling with the complicated old technique.\u00a0<\/p>\n<p>In the 1920s and 30s artists began experimenting and discovered that the ancient &#8220;rules&#8221; for egg tempera could be broken.\u00a0 Instead of spending hours doing tedious cross-hatching, they found the paint can be applied in thin layers (glazes) to build up color and form.\u00a0 It can also be stippled, splattered and dripped to produce texture.\u00a0<\/p>\n<p>Artists like Andrew Wyeth and Robert Vickery revolutionized egg tempera methods and brought the medium back to popularity.\u00a0 Norman Rockwell also enjoyed using it as a break from oils, and when he visited the Kremlin and did portraits of Russian leaders he used egg tempera because of its fast drying time.<\/p>\n<p>Robert Vickery suggests this method of getting a feel for egg tempera without investing in powdered pigments.\u00a0 Using the best tube watercolor you have, lay dabs of the colors out on a paper palette and mix them with a bit of egg yolk rather than water.\u00a0 The paint will be a little slippery, and it may harden in a slightly different way, but you will see what effects are possible with egg tempera.\u00a0 Vickery himself used this method when he was traveling and didn&#8217;t want to carry dozens of pots of dry pigment; all he needed was a set of tube watercolors and a fresh egg.\u00a0<\/p>\n<p>Vickery says, &#8220;There are many ways to use egg tempera, not just one.\u00a0 And with a lot of practice and some imagination you should be able to come up with techniques I&#8217;ve never even thought of.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Hope Wallace I am not sure where to begin this week\u2019s column. There is much going on at the Wassenberg Art Center in the next week and beyond. So\u2026from the top! Our \u201cOut of the Woodwork\u201d exhibit continues until August 12, so if you haven\u2019t had a chance to stop in, I encourage you [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37],"tags":[],"class_list":["post-11249","post","type-post","status-publish","format-standard","hentry","category-wassenberg"],"publishpress_future_action":{"enabled":false,"date":"2026-05-30 17:36:38","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/thevwindependent.com\/news\/wp-json\/wp\/v2\/posts\/11249","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thevwindependent.com\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thevwindependent.com\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thevwindependent.com\/news\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/thevwindependent.com\/news\/wp-json\/wp\/v2\/comments?post=11249"}],"version-history":[{"count":0,"href":"https:\/\/thevwindependent.com\/news\/wp-json\/wp\/v2\/posts\/11249\/revisions"}],"wp:attachment":[{"href":"https:\/\/thevwindependent.com\/news\/wp-json\/wp\/v2\/media?parent=11249"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thevwindependent.com\/news\/wp-json\/wp\/v2\/categories?post=11249"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thevwindependent.com\/news\/wp-json\/wp\/v2\/tags?post=11249"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}